Celebrate the magic of watercolor with Northstar Watermedia Society’s members. Artists’ Market runs from May 19-21 at the Fine Arts Building at the Minnesota State Fairgrounds. Every artist begins with a tube or a block of paint. Every artist’s work is different. Come to be astonished. Enjoy free parking.
Learn how to add this feature to your work. On Sunday May 21 at noon, I will be present a demonstration focused on this feature of Golden High Flow Acrylics, and showing off the powerful colors of this line. I will also (again) thank Bonnie Cutts, our Golden Brand Artist in Residence, who reassured me that the fern feet were an actual feature of this paint that I’d picked up from a discount table at Dick Blick. I thought I’d gotten a bad bottle.
Paper Mosaic: Not Ceramic
The other part of my Sunday demonstration will be a step-by-step guide to creating mosaics from paper that look like ceramic tile. In my demo kit: gesso, watercolor and acrylic paints and mediums, TerraSkin, Golden Self-Leveling Clear Gel, offset spatula, scissors, and a heavy dose of imagination.
Happy to announce that Celebration!, an original acrylic painting, will be in the 2016 Saint Paul Carnival Fire & Ice Show. Thus, I’m able to end the otherwise troubling and weird 2016 with good news and to begin 2017 with “Celebration!”
How was it made? How did this happen?
Thanks go to the Fabulous Bonnie Cutts, who confirmed that a-bought-from-a-sale-table bottle of Golden High Flow Acrylics really was supposed to make little fern fronds. Although the effect was cool, I’d never seen it before, and, typical of me, thought it might be defective. Not so. The fern-fronds are a signature of High Flow Acrylic.
I covered four 5×7 and one 12×16 boards with white gesso, and dropped High Flow colors while the gesso was still wet. Watching it make patterns was like watching a series of tiny miracles. No microscopes needed.
I waited until the gesso was dry, dabbed some Golden Glass Bead Gel onto the boards, and waited for that to dry. I covered each board with Golden Self-Leveling Clear Gel and let that dry. With my handy tube of that most superior of adhesives, E-6000, I glued the four small boards to the big one. The frame — shiny red, and who doesn’t love shiny red? — came from Goodwill as plain dark wood. It got serious sanding and lots of coats of Gloss Sunrise Red Rust-oleum. A pint of shiny red paint goes a long way. The large board, popped into the frame in reverse, is held by shiny red clips.
Fire & Ice: Opening Reception January 21, 6-10 pm
To cap a very busy day (this is the day of the Women’s March on Minnesota), the Winter Carnival Art Show Opening Reception will be at the AZ Gallery, Saturday January 21 from 6 to 10 pm. Join us!
Held each year at the Minnesota State Fair’s Fine Arts Building with convenient and free parking, this is a two-day deep dive into the variety of artwork that comes from just watercolor.
Each artist begins with a tube (or a cake or a bottle) of paint. Every artist’s work is different from every other. The show is an astonishing display of creativity and imagination. The range of work from very detailed to exuberantly abstract, will take your breath away. I promise.
Dear friends and fans: The Lost Cave Paintings of Saint Paul were more or less born in a magical moment at this event in 2012, when I saw Paul Boecher demonstrating gesso on board and paper. I looked at his work, my brain said “cave walls,” and the rest is prehistoric history.
My work for Artists’ Market: all about connections
My plan is to bring a series of abstracts including the original Big Neighborhoods 2, pieces from the series “Friendship: Complicated. Sometimes Messy. Beautiful if you’re lucky,” and some new paper mosaic magnets and frames made in the spirit of the critical importance of connections and links.
There was a holly tree outside the kitchen window in my first “running away from home” apartment. It was tall and wide — kind of dumpy, actually. Bright and green all winter long, it was a high point in an otherwise dreary Washington DC metro winter. Its berries were beautiful. Red and redder than red.
This Holly Tree
I hadn’t thought about that tree for years until This Holly Treeemerged from a stack of “gotta finish this” paintings on my easel. What was left to do? Add the red berries. Done.
Life in the Holly Tree apartment was more or less carefree (except for the general angst of 20-year-olds, my parents’ consternation at this unconventional (gasp!) living situation, my then-boyfriend’s draft status, and my stolen VW Bug.) This Holly Treechannels the memory, employs one of my favorite nanoscapes designs (tiny random shapes), and makes a shameless pitch for a skinny space on the wall. The original is for sale (5×15″ matted to 8.5×20″, $100) at the Vine Arts Holiday Sale (December 6, 12-5), and from me directly, thereafter. I will have prints, matted to 11×14 for $30 each.
Tiny random shapes on TerraSkin™
Each tiny random shapes piece begins with a very sharp General Pencil (6H) and a deep breath. Sometimes I make them in an order (spirals, straight lines) and sometimes their order is random. I drew This Holly Tree on the most wonderful paper called TerraSkin™ which I buy in sheets from Wet Paint in Saint Paul. TerraSkin™ is a tree-free paper made of 75% calcium carbonate and 24% binder. The combination makes a paper that is very smooth and buttery. Watercolor puddles and dries, making almost translucent color. Because the paint isn’t absorbed (it sits on top of the paper), watercolor paintings need archival spray for protection.
Six WARM members welcome you to a Hot Pop-Up today and tomorrow at #155 Northrup King Building (free parking!) We are Mary Alterman, Susan Gainen, Linda Seebauer Hansen, Vanessa Merry, Catherine A. Palmer, and Heather Tinkham.
In addition to seeing our art, one more reason to visit the WARM Hot Pop-up with 6 Artists is the Judith Olney Joy of Chocolate Pound Cake on the snacks table. This is the chocolate pound cake that every other pound cake wants to be. I have made two cakes, one for each day (Friday November 20, noon – 6 and Saturday November 21, 10-5).
I have two copies (at least two copies) of this book. My first (for reading only, no baking) copy has the chocolate cabbage on the front. Yes, this book has the recipe and directions for making the chocolate cabbage. There was a when I might have tried this. Now, I’d rather be painting.
Join us for art, great conversation & chocolate cake!
Sometimes when I’m crazy-busy, I need a project that calls on a different part of my brain than the one that lets me make making tiny triangles for painted stained glass or tiny random shapes, another of my favorite images.
Having often sorted through kitchen tools in search of art-making objects, it was easy to spot a map of Minnesota cookie cutter that had been sitting on top of my stove for 14 years. “Pick me!! Pick me!!” it shouted.
Thanks to my pals at Vine Arts Center for pointing me to Accent Fixtures, one of my favorite stores in Minneapolis, and saving me a road trip to Hudson WI and ton of money.
I need a gridwall
One of the great joys of The Art Business, is finding new (to me) tools, techniques, and ways to display and sell my work. The combination of seeing a gridwall-well-used at Powderhorn Art Fair and having one at the Walker Cat Video Festival persuaded me that I needed at least one gridwall for art shows.
Success! In one quick trip to Accent Fixtures, I got 2 gridwalls, 2 sets of gridwall feet, and lots of gizmos with which to hang stuff on them. Each gridwall was $20, and they fit nicely into The Art Car.
Look through the grid and see some of my past
Look through the grid and see a set of vintage car ads that hung on my office walls from the long-ago days when I worked in the car business.
It’s clear that I love tiny shapes and spaces, and think that fooling around with a triple-zero brush is fun.
But I’d never counted just how many tiny shapes and spaces that I routinely fill in one of these explorations. Not until today. In this bit of “Conversations Connections for Tieton,” I found 108 painted shapes in this 1.9×1.6″ of an 8×8 painting. That’s all the math that I can do today.
The Klimt Bird is a Super Fan of Gustav Klimt (click that Artsy link to see why). I made him at the “artists at work” table at Northstar Watermedia’s Artists’ Market (2015). Hanging around with artist pals was a blast. Watching this little guy come to life from a doodle was enchanting. He is made with the ever-faithful double zero brush and a Micron pen.
While prepping for and participating in three art shows in three weeks, I was also working on a black-and-white version of Conversations Connections for a contest focused on black and white work. Making tiny shapes and spaces with shades of black and gray was engrossing. No word on the results yet, but it did give me a chance to find a new pen (Grafik very very fine line in graphite gray) to use on the connecting lines. Thank you, as always, to the amazing staff at Wet Paint. They always find the solutions to my art problems.
Next up! Northstar Watermedia’s Artists’ Market (formerly Art-on-a-Line), an all-original watercolor show at the Fine Arts Building at the Minnesota State Fairgrounds, May 29 and 30. (Free parking, of course)
All original watercolor
This is a miraculous show. 80 artists start with the same tubes of watercolor or acrylic, and each artist’s work is different from all of the others. You will see this on the Artists’ Wall which has a sample (for sale, of course) of each participants’ work. Be prepared to be astounded at the originality and creativity. Then, remember the tube.
Max the Cat will be out in force with lots of new images. He is proud of his current job as Manager of Snacks. Each of the Whimsical Creatures who visits my studio is always hungry for snacks. Max makes sure that everyone is satisfied. Fortunately for me, both the creatures and the snacks are Whimsical, otherwise the snacks budget would dwarf that of some small countries.