Calling this exercise “exploring plaid,” demonstrates the folly of research-free design. I looked for a path that would be different from my design comfort zone (random). Marching forward with no data, I imagined that I could insert horizontal and vertical lines of color and make “plaid.”
Anyone who knows anything about plaid, knows that there are different types of plaids, and each has historic and cultural significance. This may be a Joyful Jumble, but it is NOT plaid.
It is, however, an example of #everypiecelooksbetterbecauseofthepiecesthatsurroundit one of my favorite Instagram hashtags.
I was at once angered and inspired, and I blogged about it. I was mad. Really mad. And then inspired. I envisioned a 10-foot-by-10-foot installation made up of various sizes of canvas covered with a design of tiny boxes and dots. The boxes were to be the cell phones, and the dots were to be the data being collected. I imagined that I could pour all of my anger, frustration, and fear into these canvases, that people might get excited about the effect this gizmo would have on society, and — and …. I wasn’t sure what would come after that.
DRTBox anger recedes, recycling begins
Breathing deeply, I recognized that I have limited capacity for high-decibel anger. (There is too much to be upset about for single-subject high-velocity fretting.)
With my anger receding, I could focus on recycling. I covered some of the penciled and painted canvases with white gesso as a base for new projects.
One canvas retained its dots and serves as the background for Belinda the Beaded Elephant. Standing on a field of little boxes, she absorbed all of my anger and most of the active-keeps-me-up-at-night the concern about privacy, spying, and personal space. She is the CEO and Principal Advocate for “Free the Fones,” an international non-profit working on a long list of privacy, internet, and e-commerce issues. Please reply to her appeals for money, time, and fresh vegetables. She eats 15 pounds of every day.
If I had to embark on dangerous and life-threatening travel, (carry) smuggle rocks back to the US, grind them, mix the powder with chemicals to turn them into paint, and hope that I had made a paint of quality, that I would go straight back to needlepoint.
It may get to 1 degree today (February 8), and I am optimistically registered for the Spring 2019 Saint Paul Art Crawl. Just planning for April 26, 27, and 28 is a harbinger of Spring.
The Show Gallery – Lowertown
I am honored to be at The Show Gallery Lowertown Saint Paul. Its mission is to create accessibility in the arts and unite artists of all abilities. Since opening in 2015, The Show Gallery has exhibited work by over 250 artists from the Twin Cities area. Exhibitions feature work by artists of all backgrounds, training, and ability levels. With 10+ exhibitions a year, special events like the St. Paul Art Crawl, and a selection of fine art and gifts in Rebecca’s Gifts, there are many ways to engage with The Show.
Big Red – a new avatar
Big Red, part of a large family of roosters who thanked me for creating their body parts. He is thrilled to be part of the 2019 Saint Paul Art Crawl, and is looking forward to meeting the pigeons hanging out in front of the Union Depot, which is a block from The Show Gallery.
New Art for the Art Crawl
The art crawl plan is to bring a mix of new creatures (the roosters and the hippos have been lobbying for selection), and new tiny neighborhoods, which have allowed me to focus on small-but-unequal spaces. Requests encouraged. Commissions accepted. Looking forward to seeing you in April.
No sooner had I made the abstract neighborhood slide show, than the clamor from the creatures who want to go to the Crawl became — distracting. It’s not enough that Two White Cats are Plotting to Take Over the World (an homage to their heros: Pinky and the Brain), but at least three roosters have been roped into an Avant Garde Runway Competition. It’s very busy in my house.
My interest in gemstones was sparked during a trip to see The Hope Diamond when it was introduced into the Smithsonian Museum of Natural History in 1958. My Mother bravely packed her station wagon with Brownie Scouts, and we joined the mobs who lined up to see it. We snaked through the museum through the Hall of Gems, which was filled with what appears in bodice-ripper fiction as “dripping with pearls.” Inspiring and breathtaking.
But ever-so-slightly disappointing. It was billed to the public and to my tiny 8-year-old brain as the largest blue diamond in captivity. Not knowing that the key word was blue, I expected to find a diamond the size of a softball. To my immense disappointment, it appeared to be the size of a quarter.
I missed the career off-ramp to “gemstone cutter,” and now that I’m hewing to my 65th birthday vow of avoiding activities requiring safety equipment or liability waivers, there will be no glass cutting, tile cutting, bungee jumping, and now, no gemstone cutting.
Whimsical wildlife documentarian paints gemstones
It is well within the purview of the Whimsical Wildlife Documentarian to paint gemstones and to apply a 2019 version of Painstaking Exuberance. I have paintbrushes, and I am not afraid to use them.
Multiple advantages of painting whimsical gemstones:
No insurance penalty for using dangerous equipment: paint brushes, even the tiniest, are not lethal unless you are in obscure parts of mystery fiction.
No need to consider the Laws of Physics: I never took physics, so I can plead ignorance.
No need to consider colors that might not exist in nature: in my experience as an artist, nature’s color limitations are highly over-rated.
No need to be limited by cost or size: a real five-pound amethyst crystal would be outside my art supply budget, it would pain my arthritic hands, and diamonds and rubies are out of the question.
No fear of making a costly mistake: the ever-real possibility of dropping and breaking a valuable stone was always a deal breaker.
the grand metaphor: every piece looks better because of the pieces that surround it.
Having made abstracts before I could define “abstract” (no art school), I think that I can be forgiven for creating backstories before I could conceive of the Grand Metaphor.
The Grand Metaphor connects the backstories
Friendship: Complicated. Sometimes Messy. Beautiful if you’re lucky gave me an excuse to make tiny, interconnected bands using both very sharp pencils and tiny brushes. Each of these bands looks better because of how it twines with its neighbors.
Puzzle Pieces covers a space with interconnected shapes that invite bright colors. Although they don’t touch one another, they are closely related.
Original nanoscapes were a jump-off point for a new watercolor painter. I saw my artist pals who could get the spirit of trees, flowers, and mountains with a few whooshes of watercolor and realized that I could never achieve anything resembling their work. I also realized that plein air (outdoor) painters had to share space with insects and humidity — two things that I have dedicated my life to avoiding. Turning indoors and turning inside, I found shapes and spaces and their connections at the tip of my pencils and brushes, and never looked back.
The Genus Papyrus, a group of mosaic creatures who answer the question “What do watercolor artists do with leftover paintings?” They cut them up and make mosaics. The Small Friends’ Research Institute supports research in the Genus Papyrus, and continues to look for good habitat for these creatures: 3 parrots, a hippo, a horse, a cat, and a pig. They are wonderful examples of The Grand Metaphor because each piece fits neatly next to its neighbors.
The Sail or The Unmade Bed celebrated the brightest colors that I could create with watercolor and challenges perspective. Note: achieve Bright Water colors with lots of pigment and not a lot of water. Thank you, Russ Dittmar, Watercolorist Extraordinaire.
Find the Owl is simply #artfun. Tiny connected shapes and spaces intertwine to create a whimsical boulder hiding an owl.
Orange Flying Crystal is part of a series of six crystal paintings. Inspired by quantity time spent looking at the ceiling at Dulles Airport, these paintings began as doodles and grew into flying crystals that look as if they are ready to leap off the page.
Painted Stained Glass answers a question that may have troubled you for years: what happens when triangles go wild? The menagerie (family) of stained glass creatures who have stopped by my studio to sit for portraits and tell stories includes: a camel, cats, elephants, flamingos, frogs, hippos, horses, kangaroos, LLLamas (their spelling), parrots, pigs, roosters, a seal, and a warthog.
Conversations Connections began as a doodle on a postcard. Several professional pals spent time on conference calls trying to figure out the best way to network our friend into a different job. She didn’t get the job, but I was inspired. One of many pieces that began with a General Pencil 6H drawing. What a pleasure it was to fill in the tiny rectangles and squares with watercolor. A tiny Micron pen (several) made the tiny lines around each piece.
Paper Mosaic came to me at a perfect time. When I turned 65 I abandoned all activity requiring safety equipment or liability waivers, thus, no tile cutting, no glass cutting, and no bungee jumping. Paper mosaic — creating tile from paper and acrylic paint and mediums — can be done by anyone at home. I taught the 2017 6th Grade Graduates of Alice Smith Elementary School to make paper mosaic. They made this one as a gift to the school and it hangs in the building.
Creatures with Antlers may have the longest backstory. The Pandas and Frogs from the Hidden Bamboo Forest of Saint Paul decided to expand the metaphorical footprint of The Forest to accommodate creatures from around the world who were being displaced by climate change. The “creatures with antlers” series was originally conceived as birds’ eye views of conclaves of creatures with antlers (including the Jackson’s Chameleon) who were strategizing about climate change. This story became much too complicated to tell all the time. I’ll get it into a book someday.
Big Neighborhoods are three 22×33 paintings that are joyously self-indulgent, and, perhaps the clearest example of The Grand Metaphor. Watercolor and more watercolor.
Shameless Commercial Conversation
In a perfect world, everything would be available with one click. I apologize. Contact me directly to talk about images that you like or ideas that you’d like to explore. For example, paper mosaics can cover a wall and The Sail can be 5-feet long. I look forward to hearing from you.
I was searching through images from the past few years and found this image, Big Neighborhood 2. I opened it in Photoshop, hit “invert,” and now celebrate the one-click Big Neighborhood Happy Accident.
Big Neighborhood 2: part of a series
This painting is part of a series of nanoscapes abstract paintings and paper mosaics whose tiny shapes and tiny pieces come together with two purposes: to create joy and to spark conversations about what it means to be in a neighborhood.
In these “Neighborhoods,” as in life, each piece looks better because of the pieces that surround it. Creating each tiny piece is unalloyed pleasure, and a meditative practice.
I have done this work in watercolor, acrylic, and paper mosaic. I was fortunate to be able to work on a collaborative, colorful and inspirational mosaic mural project with the Class of 2017 6th graders at Alice Smith Elementary School in Hopkins, MN. If you are in the neighborhood (Hopkins), drop by and see it.
Creativity and the Happy Accident
The creative happy accident can flow from:
A thought. A gesture. A sunrise. A sunset. A crazy cat. A beautiful bug. A sound (or lack of sound). A “mistake.”
Lucky artists’ preparation for the Happy Accident
Have an open mind. Have good tools and take good care of them.
Learn how to use and manipulate your tools. My one-click Happy Accident is the direct result of my constant exploration of Photoshop’s features.
Have a camera or sketchbook handy. Don’t be embarrassed to stop and sketch.
Don’t be afraid to try. If your idea doesn’t work as you imagined or planned, begin again. Recycle your creative materials. Paint over the canvas (that’s what gesso is for); rework the clay; melt the glass shards; rip out the knitting. Cut things up. Make collages. Use glue. Find a hammer or electric staple to make new surfaces. You, too, may have a Happy Accident.
Availability: The original Big Neighborhood 2 has been sold. Prints of Big Neighborhood 2 Invert are available at etsy.
Celebrate the magic of watercolor with Northstar Watermedia Society’s members. Artists’ Market runs from May 19-21 at the Fine Arts Building at the Minnesota State Fairgrounds. Every artist begins with a tube or a block of paint. Every artist’s work is different. Come to be astonished. Enjoy free parking.
Learn how to add this feature to your work. On Sunday May 21 at noon, I will be present a demonstration focused on this feature of Golden High Flow Acrylics, and showing off the powerful colors of this line. I will also (again) thank Bonnie Cutts, our Golden Brand Artist in Residence, who reassured me that the fern feet were an actual feature of this paint that I’d picked up from a discount table at Dick Blick. I thought I’d gotten a bad bottle.
Paper Mosaic: Not Ceramic
The other part of my Sunday demonstration will be a step-by-step guide to creating mosaics from paper that look like ceramic tile. In my demo kit: gesso, watercolor and acrylic paints and mediums, TerraSkin, Golden Self-Leveling Clear Gel, offset spatula, scissors, and a heavy dose of imagination.
Multi-colored antlers did not appear in a fevered dream. Rather, in late April, I began a deep dive into Golden High Flow Acrylic which became Multi-colored Antlers.
High Flow is is magical paint that makes my favorite effect — fern feet (above) — and it has a double-plus-fabulous bonus of providing beautiful, clear colors that work as paint-from-a-brush, in markers, as a glaze, and anything you might imagine.
Inspired by a disturbing NPR piece about a very modern product called DRTBox that can scoop up data from up to 10,000 cell phones at once, I began the Vast Big Box Project. In the Inspiration Doodle, I imagined tiny boxes and circles representing individual cell phones, and even tinier interior dots showing the data available to DRTBox.
What is DRTBox?
The Hacker News reports that it is cell phone surveillance technology that can track, intercept thousands of cellphone calls, and eavesdrop on conversations, emails, and text. The Intercept.com/surveillance-catalog lists one version at $100,000. This is not a tool for a home-grown, backyard-basement hacker. This is a tool for law enforcement.
Law enforcement can buy it. Evildoers can probably steal the technology or build something that can mimic its functions.
Questions for discussion
Scooping data from thousands of cell phone users is disturbing. Why? or Why not?
Just because you can, should you?
If the data that I put onto my cell phone boring and innocuous, what do I have to fear?
What if my boring cell phone is hacked by a Genuine Evildoer, not a basement hacker?
Do I want law enforcement to step in?
What is the Vast Big Box Project?
Beginning with blank canvas, a General Pencil 6-H, and a Mobius+Rupper Brass Wedge Sharpener, each part of the piece will be covered with tiny squares and spaces and even tinier shapes to indicate scoopable data. I will cover the pencil drawing with Liquitex Clear Gesso, which will seal the pencil and prevent smudges, and give me a paintable surface. I expect that this will project will fill a wall, presenting an overwhelming image of the length and breadth of this disturbing scoop-ability.