New Hippo Camouflage: Hiding behind Creatures with Antlers
For about six weeks, I was obsessed with anti-climate change convocations headed by Creatures with Antlers who were gathering inside the Hidden Bamboo Forest of Saint Paul. I painted more than two dozen canvases and paint-on-paper pieces that were birds’ eye views of these meetings. It was time to stop.
With more of these images than I could possibly display (let alone sell), Max-the-Cat, my Model, Muse and Snacks Manager, said “The hippos are coming and they need a place to hide.” Never argue with your Spokescat.
Create Hippo Camouflage: Cut Strips, Squares and Rectangles
With more than enough painted papers, it was almost easy to start. But not quite. I love all of these sheets of whimsical shapes and the intense colors from Golden High Flow Acrylic paint. Finally realizing that I could paint more sheets if I wanted, it still took a while to get up the nerve to begin to cut.
Toolkit: TerraSkin, a tree-free paper that doesn’t stretch that I buy from the always-helpful staff at Saint Paul’s Wet Paint, a paper cutter, good scissors (Fiskars), and a Uhu archival glue stick. Gotta have it: good light and a comfortable chair.
Hippo Camouflage: what could it be?
Think of a Hawaiian shirt on colored steroids, melted crayons (before your Mom noticed that you had done this on the floor), adventures in microscope viewing, or for people of a certain age, a very pleasant acid trip,
Hippo Camouflage: it’s working!
What next for hippo camouflage?
This hippo, who has not yet shared his name with me, is taking the rest of the week off while being coated with Golden Glass Bead Gel and Golden Self-Leveling Clear Gel. He sent a message to two of his friends, noting that hippo camouflage is pretty cool. They will get to Saint Paul next week. They hope to arrive in time for Art in the Hollow, an amazing day of art and music and fun and food in the magical Swede Hollow. June 2. Be there. Rain or shine.
Celebrate the magic of watercolor with Northstar Watermedia Society’s members. Artists’ Market runs from May 19-21 at the Fine Arts Building at the Minnesota State Fairgrounds. Every artist begins with a tube or a block of paint. Every artist’s work is different. Come to be astonished. Enjoy free parking.
Learn how to add this feature to your work. On Sunday May 21 at noon, I will be present a demonstration focused on this feature of Golden High Flow Acrylics, and showing off the powerful colors of this line. I will also (again) thank Bonnie Cutts, our Golden Brand Artist in Residence, who reassured me that the fern feet were an actual feature of this paint that I’d picked up from a discount table at Dick Blick. I thought I’d gotten a bad bottle.
Paper Mosaic: Not Ceramic
The other part of my Sunday demonstration will be a step-by-step guide to creating mosaics from paper that look like ceramic tile. In my demo kit: gesso, watercolor and acrylic paints and mediums, TerraSkin, Golden Self-Leveling Clear Gel, offset spatula, scissors, and a heavy dose of imagination.
Happy to announce that Celebration!, an original acrylic painting, will be in the 2016 Saint Paul Carnival Fire & Ice Show. Thus, I’m able to end the otherwise troubling and weird 2016 with good news and to begin 2017 with “Celebration!”
How was it made? How did this happen?
Thanks go to the Fabulous Bonnie Cutts, who confirmed that a-bought-from-a-sale-table bottle of Golden High Flow Acrylics really was supposed to make little fern fronds. Although the effect was cool, I’d never seen it before, and, typical of me, thought it might be defective. Not so. The fern-fronds are a signature of High Flow Acrylic.
I covered four 5×7 and one 12×16 boards with white gesso, and dropped High Flow colors while the gesso was still wet. Watching it make patterns was like watching a series of tiny miracles. No microscopes needed.
I waited until the gesso was dry, dabbed some Golden Glass Bead Gel onto the boards, and waited for that to dry. I covered each board with Golden Self-Leveling Clear Gel and let that dry. With my handy tube of that most superior of adhesives, E-6000, I glued the four small boards to the big one. The frame — shiny red, and who doesn’t love shiny red? — came from Goodwill as plain dark wood. It got serious sanding and lots of coats of Gloss Sunrise Red Rust-oleum. A pint of shiny red paint goes a long way. The large board, popped into the frame in reverse, is held by shiny red clips.
Fire & Ice: Opening Reception January 21, 6-10 pm
To cap a very busy day (this is the day of the Women’s March on Minnesota), the Winter Carnival Art Show Opening Reception will be at the AZ Gallery, Saturday January 21 from 6 to 10 pm. Join us!
Cats look so peaceful when they sleep. Nonsense. They are plotting cat crime.
If you live with cats, you are a victim of cat crime. You wake up to find socks missing, valuable glass in pieces, stray outdoor animal and plant life on the stairs and in the middle of the living room. Depending on the quality of your laundry detergent, you may find cat hair on fresh sheets, and evidence of your white cat’s nap on your black t-shirts. Cat crime is everywhere and all the time.
Visit the police precinct
None of your cats will own up to these felonies, so you may eventually go to your local police precinct to see a photo array of neighborhood cat criminals. Good luck with that.
Cat Crime, Mugshotz and Mugshots
This piece was originally called “Mugshotz,” until I realized that the clever misspelling would be defeated by Search Engine Optimization, so it is now “Mugshots.”
Why celebrate cat crime? Recycling.
I made the original (16×20) mixed media piece from 12 four-inch cat faces that I painted for the 2015 Cat Video Festival in Saint Paul. I packaged them with magnets as “Cats-on-the-Fridge.” They were spectacularly unsuccessful and all but two came home with me. After sulking for a while, they begged to go out into the world again. Not that they didn’t like me, you understand, but they were bored. Here they are. The original, subject to availability, is $120 plus the actual cost of shipping. Contact me directly.
Prints and cards
Prints (8×10 and other sizes to order) and cards are available through The Art Shoppe at Midtown Global Market in Minneapolis. Come to the Market for the art and stay for the fabulous food. For anyone NOT in the Twin Cities, find prints and cards at ETSY.
Minnesota, art bonanza state, is well-populated with artists, art activities, and art events. I met a woman last week who said “You can’t swing a cat in Minnesota without hitting an artist.” Not that I would recommend cat-swinging.
Minnesota Art Bonanza State: It must be a law.
I’m convinced that there is a section in Minnesota statutes or regulations that requires:
An artist on every block.
Ten art events on every week day.
30-50 art events on every non-holiday weekend.
I’ve given up counting the number of art invites that I get. I’ve lost track (often to my detriment) of the art events to which I could apply. I’m overwhelmed by the opportunities to participate in arts organizations. What to do? Keep making art.
Both shows celebrate their respective “neighborhoods.” NEEMA, an award-winning arts organization, is a lynchpin of Minneapolis’ Northeast Arts Community. The Dow Gallery anchors the west end of the Green Line in Saint Paul.
Friendship 7: Complicated. Sometimes messy. Beautiful if you’re lucky.
Friendship 7 got lucky. It is a winner in the Northeast Minneapolis Arts Association (NEEMA) Fall Fine Arts Show lottery. Gotta love a lottery.
My entry, Friendship 7: Complicated. Sometimes Messy. Beautiful if you’re lucky, is part of a series of paintings that put a new (and I hope abstractly realistic and delightful) face onto friendship. These paintings are squarely inside the nanoscapes tradition: tiny designs in tiny spaces. I make a pencil drawing, carefully work out the “over and unders” and then paint, using triple-zero brushes and a steady hand. I’ve made small (4×6″) and large (12×16″) friendship paintings. Some are round, some fill the canvas, and some are in random shapes.
Held each year at the Minnesota State Fair’s Fine Arts Building with convenient and free parking, this is a two-day deep dive into the variety of artwork that comes from just watercolor.
Each artist begins with a tube (or a cake or a bottle) of paint. Every artist’s work is different from every other. The show is an astonishing display of creativity and imagination. The range of work from very detailed to exuberantly abstract, will take your breath away. I promise.
Dear friends and fans: The Lost Cave Paintings of Saint Paul were more or less born in a magical moment at this event in 2012, when I saw Paul Boecher demonstrating gesso on board and paper. I looked at his work, my brain said “cave walls,” and the rest is prehistoric history.
My work for Artists’ Market: all about connections
My plan is to bring a series of abstracts including the original Big Neighborhoods 2, pieces from the series “Friendship: Complicated. Sometimes Messy. Beautiful if you’re lucky,” and some new paper mosaic magnets and frames made in the spirit of the critical importance of connections and links.
Big Neighborhoods 2 is all about getting people, things and ideas to work together. Handing colleagues and roommates pens and markers to work together on a Community Coloring Page will support teamwork and create laughter. Thanks go to the very nice man who saw it during Saint Paul Art Crawl and plans to buy one for his company’s break room.
Big Neighborhoods 2 is an abstract painting of squares and rectangles that celebrates connection between and among neighborhoods, people, and things. It has become its own Art Family, and eight versions will be at the Dow Gallery & Frame Shop at the 2016 Saint Paul Art Crawl.
Two sizes of digital prints of Black Light and Shadows, the invert of the original drawing,
Greeting cards with the Black Light and Shadows image.
Big Neighborhoods 2: an art trip
As soon as I began to draw Big Neighborhoods 2, I knew that I wanted to create a full-sized coloring page. It took only a minute to remember the great folks at Apropos Studio (printers and artists extraordinaire: an amazing resource) who helped me create the page. But the actual painting sat on my easel for nearly half a year. It is a watercolor painting, so I didn’t have the excuse that artists-working-in-oils have. Their works can take years to dry.
Was it finished? Was it complete? It certainly took up a lot of visual space in my living room studio. Now that it has all of its Art Family, it is, indeed, complete.
Other work at the Dow for the Art Crawl
I will be celebrating abstract shapes and connections with other work including Rings and Links, Conversations Connections, Friendship Bands, and more.
The Big Neighborhood is 22×33. It’s like a city map or an aerial view of a city. When all of its colors are put together, I hope that it represents that the best of us are better for living among all kinds of people. If I work very very hard on it, it might be finished in time to hang with the show “Connections,” at the First Unitarian Society of Minneapolis, which will hang on December 30. If it doesn’t make it into the show, it will be on hand for the artist talk (date TBA).
Big Neighborhood: start with red
After taking a very long, deep breath, I started to paint on it. First blocks are the brightest red watercolor on my palette, of course. Having determined that this will be a random collection of blocks, I will work color-by-color, spreading them out all over the piece.
Why isn’t this made out of tile?
It looks like tile. Why isn’t this tile? As some of you know, for my 60th birthday I gave up everything that required safety equipment. Conspicuous among the activities that I abandoned were cutting tile and bungee jumping.
The Big Neighborhood is a nanoscape, an abstract painting made with Painstaking Exuberance (PE). PE paintings begin with a pencil drawing which is sometimes followed by a Davy’s Gray outline (not this one). Next, I fill in each small space with color, and, sometimes outline each small space with a Micron pen or paint outline. The minute-by-minute focus is on each small space and its bright color. In the end, the riot of color speaks for itself.