If I had to embark on dangerous and life-threatening travel, (carry) smuggle rocks back to the US, grind them, mix the powder with chemicals to turn them into paint, and hope that I had made a paint of quality, that I would go straight back to needlepoint.
Held each year at the Minnesota State Fair’s Fine Arts Building with convenient and free parking, this is a two-day deep dive into the variety of artwork that comes from just watercolor.
Each artist begins with a tube (or a cake or a bottle) of paint. Every artist’s work is different from every other. The show is an astonishing display of creativity and imagination. The range of work from very detailed to exuberantly abstract, will take your breath away. I promise.
Dear friends and fans: The Lost Cave Paintings of Saint Paul were more or less born in a magical moment at this event in 2012, when I saw Paul Boecher demonstrating gesso on board and paper. I looked at his work, my brain said “cave walls,” and the rest is prehistoric history.
My work for Artists’ Market: all about connections
My plan is to bring a series of abstracts including the original Big Neighborhoods 2, pieces from the series “Friendship: Complicated. Sometimes Messy. Beautiful if you’re lucky,” and some new paper mosaic magnets and frames made in the spirit of the critical importance of connections and links.
In the very first post on this blog, I wrote about how lucky I am to be a 21st century painter because I could walk into an art store and buy a tube of Lapis watercolor paint. No need to dig it up. No need to grind it myself. No need to fret about consistency from batch to batch. No worries about preserving it.
I am always ready to give thanks for paint tubes and other innovations when someone points them out to me.
John G. Rand: Innovator
In May 2013, Smithsonian Magazine had a short but very informative article about the introduction of tubes for paint by “a little-known” American portrait painter, John G. Rand. Should you be hungry for more information about this innovator, look no further than a helpful article from the North Carolina Museum of Art: A revolution in paint.
Philip Ball’s “Bright Earth”
Philip Ball’s brilliant Bright Earth: Art and the Invention of Color sparked the “I don’t need to grind it” insight. It is still a favorite book, and it sits on my night table. Full of delights and exciting (to me) material such as “Color Technology in Antiquity” and the shocking introduction of “Synthetic Pigments and the Dawn of Color Chemistry,” Bright Earth also answers pesky questions such as “Who was Hooker of Hooker’s Green?”
When making art, we stand (or sit) on the shoulders of innovators. Thanks to all of them.